– A decade after his last movie, Under The Skin, Jonathan Glazer gives us a plodding Nazi family drama set in the literal shadow of Auschwitz, and juxtaposed against its horrors. It’s interesting to see some of the same directorial manoeuvres used to create unease: headlights in the dark, crying babies, jarring music and colour, and every shot is thoughtfully composed and striking. But even with the best will in the world, the actual zone of interest here is quite small. The point is made within the first few minutes, and the rest of the feature serves to compound it, effectively, but somewhat superfluously. Then again, perhaps we can never be reminded too often, nor too viscerally, of that time, and this is certainly an artful and original depiction.
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